Paul Simon - Graceland & You Can Call Me Al



Hard Rock Calling 2012 (Hyde Park, London) "Graceland" is the title song of the album Graceland, released in 1986 by Paul Simon. The lyrics deal with the singer's thoughts during a road trip to Graceland after the failure of his marriage to actress and author Carrie Fisher. The song won the 1988 Grammy Award for Record of the Year. "You Can Call Me Al" is also a song by Paul Simon, the first single released from his album Graceland. The lyrics can be interpreted as describing a man experiencing a midlife crisis ("Where's my wife and family? What if I die here? Who'll be my role model?"). However, as Paul Simon himself explained during the Graceland episode of the Classic Albums documentary series, by the third verse the lyrics move from a generic portrait-like perspective to a personal and autobiographical one, as he describes his journey to South Africa which inspired the entire album. The names in the song came from an incident at a party that Simon went to with his then-wife Peggy Harper. French composer and conductor Pierre Boulez, who was attending the same party, mistakenly referred to Paul as "Al" and to Peggy as "Betty", inspiring Simon to write a song. Lyrics (Graceland): The Mississippi Delta Was shining like a National guitar I am following the river Down the highway Through the cradle of the Civil War I'm going to Graceland Graceland In Memphis,Tennessee I'm going to Graceland Poorboys and pilgrims with families And we are going to Graceland My traveling companion is nine years old He is the child of my first marriage But I've reason to believe We both will be received In Graceland She comes back to tell me she's gone As if I didn't know that As if I didn't know my own bed As if I'd never notice The way she brushed her hair from Her forehead and she said, "Losing love Is like a window in your heart Everybody sees you're blown apart Everybody feels the wind blow" I'm going to Graceland Memphis, Tennessee I'm going to Graceland Poorboys and pilgrims with families And we are going to Graceland And my traveling companions Are ghosts and empty sockets I'm looking at ghosts and empties But I've reason to believe We all will be received In Graceland There is a girl in New York City Who calls herself the human trampoline And sometimes when I'm falling, flying Or tumbling in turmoil I say Whoa, so this is what she means She means we're bouncing into Graceland And I see losing love Is like a window in your heart Everybody sees you're blown apart Everybody feels the wind blow In Graceland, in Graceland I'm going to Graceland For reasons I cannot explain There's some part of me wants to see Graceland And I may be obliged to defend Every love, every ending Or maybe there's no obligations now Maybe I've a reason to believe We all will be received In Graceland Whoa, in Graceland, in Graceland In Graceland, I'm going to Graceland Lyrics (You Can Call Me Al): A man walks down the street He says, "Why am I soft in the middle now? Why am I soft in the middle? The rest of my life is so hard I need a photo opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard" Bonedigger, bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know I don't find this stuff Amusing anymore If you'll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al A man walks down the street He says, "Why am I short of attention? Got a short little span of attention And, woe my nights are so long Where's my wife and family? What if I die here? Who'll be my role model Now that my role model is Gone gone?" He ducked back down the alley With some roly-poly little bat-faced girl All along along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the third world Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says, "Amen!" and "Hallelujah!" Call me Al Na na na na... If you'll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al Call me Al

Comments

  1. bislemma
  2. That was really Great,  Paul Simon is back................!!
  3. this live version of Call Me Al really does suck because we have assholes playing instruments when in the original song Paul the instrument better the other guys suck
  4. maybe one of the most magnificent live performances ever
  5. how much talent can a guy have hes been around forever yet still churns out great songs
  6. eines meiner Lieblingslieder -einfach klasse !!!!!!!!!!
  7. There's not a dark person's face in the crowd. Why???
  8. tremendo
  9. Awesome
  10. Canción que la llevo en el alma!!! Gracias Paul Simon
  11. music aint like this anymore
  12. Cool to see Bakhiti playing that old Washburn bass of his.
  13. I have a wristband . LEMME IN DA DOOR
  14. On revient toujours à ses racines. Celles de Paul Simon sont plongées dans l'Amérique des fifties, l'oreille collée au transistor à écouter des airs de doo-wop, par des groupes blacks aux voix d'anges. Trente ans plus tard, quand Paul Simon tombe par hasard sur une cassette de Township Jive, la musique des ghettos d'Afrique du Sud, il retrouve ces mélodies qu'il a toujours aimées. D'instinct, il s'embarque pour Johannesburg début 1985 et enregistre sur place ce qui est devenu son plus bel album solo, << Graceland >>. Loin de se contenter du simple mélange entre influences américaines et sonorités africaines, Paul Simon opte pour la fusion des deux courants et travaille main dans la main avec les musiciens locaux, tels le guitariste Ray Phiri et le groupe vocal Ladysmith Black Mambazo, mais aussi le Sénégalais Youssou N'Dour. Le résultat est magique, fascinant. Homeless, Diamonds On The Soles Of Her Shoes résonnent comme des œuvres visionnaires. Est-ce de la world music ? Du gospel réinventé ? Même question autour des hits The Boy In The Bubble ou You Can Call Me Al, dont les guitares sud-africaines et les notes d'accordéon rappellent les pulsations d'un rock franchement funky. À l'époque de la sortie du disque, Paul Simon fut visé par des attaques imbéciles (nouveau cas de pillage de l'Afrique par un Occidental ! ) et même des pressions officielles (en enregistrant en Afrique du Sud il avait enfreint le boycott des Nations Unies contre l'état-voyou, où régnait encore l'apartheid). Le succès colossal de << Graceland >> fera taire la controverse : la musique ne s'embarrasse pas de frontières. En offrant << Graceland >> au village global, Paul Simon bâtit un pont entre l'Occident et l'Afrique ; s'ajoutent à cela le travail d'orfèvre du mélodiste, la qualité des textes, la précision des arrangements. Enfin le choix du titre << Graceland >>, clin d'œil à la maison d'Elvis Presley à Memphis, ne doit rien au hasard : Elvis Presley ne fut-il pas le premier à faire le lien entre la musique noire et le public blanc ? (JPB)
  15. Yeah excellent - I remember when he and Art sang live in central park (well through media, I'm English) - He still rocks with the best of em
  16. The 68 people that disliked this video should be Imprisoned.
  17. Paul Simon Diamond Geezer
  18. Awesome Performance!!
  19. This is so awesome! Great production for it being live! Was this at Jo-burg Day?
  20. <3 <3 <3 <3 BIG LOVE


Additional Information:

Visibility: 959012

Duration: 9m 52s

Rating: 2456